Tuesday, December 22, 2009
Thursday, December 10, 2009
Tuesday, December 8, 2009
Thursday, December 3, 2009
Wednesday, December 2, 2009
how to put down your lines
I never got a chance to work on panda, but this technique works great for this design.
So, some people asked me what I look for when I do film studies. Try pausing a Disney film and drawing the character like this. I would recommend starting with Mulan because it's really easy to understand. With some films, it's too hard to see under all the details. Also, any of the 1950's mickey mouse and goofy shorts are good as well.
So, some people asked me what I look for when I do film studies. Try pausing a Disney film and drawing the character like this. I would recommend starting with Mulan because it's really easy to understand. With some films, it's too hard to see under all the details. Also, any of the 1950's mickey mouse and goofy shorts are good as well.
Tuesday, December 1, 2009
More on shapes
Monday, November 30, 2009
Rhythm
Saturday, November 28, 2009
Wednesday, November 25, 2009
Bastion 7
Friday, November 20, 2009
What is gesture?
A lot of people have a lot of different ideas when it comes to gesture. I'm not going to be arrogant and say this is the best approach. the truth is, you should just take the approach that is the most enjoyable to you. For me, I like to find a nice simple shape that all the lumps sit on and flow into.
Ref from: http://characterdesigns.com/
Thursday, November 19, 2009
Wednesday, November 18, 2009
how to "construct" the figure
Tuesday, November 17, 2009
Monday, November 16, 2009
Saturday, November 14, 2009
Wednesday, November 11, 2009
Tuesday, November 10, 2009
Friday, November 6, 2009
Wednesday, November 4, 2009
Thursday, October 29, 2009
drink and draw
Tuesday, October 13, 2009
Tuesday, October 6, 2009
Friday, October 2, 2009
BG designs
So I'm working on this witch comic again. One of the kids is a scientist and he has a tree-house laboratory. I have to combine the right amount of science and tree house. I started out by designing shots of the whole room, trying to compose it nicely and design at the same time. My teacher, Will Weston recommended I try working on one prop at a time and then compose the shot later. So, I'm starting with the desk. After I drew this, I noticed the composition was completely even. The size of the window and the desk are exactly the same. But, now I have an idea of what I want and I can push the proportion of the elements, without inventing the elements themselves. I'm surprised I didn't think of this before because it is exactly how I do my character designs. When I design a character I put it in the most boring straight on and side pose I can, so I'm not thinking of the pose, just the design. Then, I use that as a rough guide for the final comic when I just think about the poses.
Thursday, October 1, 2009
Thursday, August 27, 2009
Tuesday, August 25, 2009
full color
Saturday, August 8, 2009
Thursday, July 30, 2009
color
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